hidden history

**FINALIST** Page Turner Awards 2023

I’m excited to announce that WHEEL OF FORTUNE is a **finalist** in the Page Turner Awards 2023 for best historical novel! Or am I the finalist?  https://bit.ly/3rU6Ei0 Whichever it is, I am grateful to all those lovely readers who have voted for Isobel and me. Let’s face it, poor Isobel needs all the help she can get if she is to make it to Book 2 in THE TARNISHED CROWN series…

If historical fiction is your thing, and you’re looking for an immersive story of intense love, loyalty and treachery during the 15th century Wars of the Roses, you can find Isobel and WHEEL OF FORTUNE as a paperback and ebook at Amazon. https://amzn.to/45cx8JJ

Countdown to Book Launch Begins

The countdown to the book launch has begun with just over two weeks to go until Wheel of Fortune‘s release. And I’m still waiting for delivery of the books. It’s always the same at this point – the ‘will-they-won’t-they’ trepidation, those first-night nerves. This is the sixth book launch I’ve done since 2012 and I’ve never not had the books for the big day. There’s always the risk that the much anticipated box won’t arrive in time, that the distributer has mislaid the order. Or perhaps the lorry has been waylaid by book-loving gremlins en route… No, that last is implausible. Gremlins don’t read.

Meanwhile, preparations continue apace. Not only is Wheel of Fortune due for release by Resolute Books on 20th May, but my good friend and author, Paul Trembling, is launching the latest instalment in his Local series – Local Killer – on the same day. I had the privilege of seeing an ARC  (Advance Reader Copy) of Local Killer a while back and it is a cracking read. I’ll be writing a full review of Local Killer shortly.

It struck me how different our writing styles are, reflecting the different genera in which we write. His – taut, sparse, tense – the epitome of great crime thriller writing. Mine – with tension woven throughout a longer, multi-layered narrative, where the historical landscape is peopled by complex personalities negotiating a web of political and personal dilemmas. The varied styles of   authors writing in different genera is one of the aspects of literature I find so enjoyable – mystery, suspense, thrillers and, of course, history – set in any location and in any period. When it comes down to it – and whatever the genre – it’s all about story.

There is one type of story of which I am not particularly fond, the one where the author has a queue of eager readers waiting for a signed copy of her book – and an empty table. I haven’t read that story yet and I’m determined not to write it. Roll on 20th May and my box of books!

 

Local Killer by Paul Trembling and Wheel of Fortune by C.F. Dunn are published through Resolute Books on 20th May 2023

Free! Free! Free! Mortal Fire: Publisher Give-away on Kindle

My wonderful publisher is offering Mortal Fire FREE on Kindle until 19th October, 2022. With just 24hrs to go, grab a copy while you can and find out why Mortal Fire won GOLD for Adult Romance in the USA Book of the Year Awards.

https://www.amazon.co.uk/Mortal-Fire-Secret-Journal-Dunn-ebook/dp/B0088488N6/ref=cm_cr_arp_d_product_top?ie=UTF8

Perfect for curling up as the nights draw in, Mortal Fire combines romantic mystery with paranormal suspense as young historian, Emma D’Eresby, hunts the secret hidden in the pages of a 17th century diary. Emma finds herself drawn into conflict with the present; but can she discover the truth – and will she believe it?

C.F. Dunn’s vivid prose holds the reader’s attention right to the riveting conclusion.’ Mel Starr – The Unquiet Bones

The sense of growing menace will have readers gripping the edge of their seats. A tense and accomplished debut blending romance with thriller.’ Fay Sampson – The Hunted Hare.

An ominous sense of developing tension… a most fluent writer.’ Colin Dexter – Inspector Morse

 

The Secret of the Journal series is a single story told over five books.

Book 1 Mortal Fire

Book 2 Death Be Not Proud

Book 3 Rope of Sand

Book 4 Realm of Darkness

Book 5 Fearful Symmetry

 

 

Stripping the Past: Restoration Games

Since my last post on restoring our Arts and Crafts house, things have moved on apace. I finished removing all the modern polyurethane from the wide window seat in my study and then started eyeing up the rest of the room. There’s an inglenook fireplace from the original 1630’s house in my study. Edward Sturdy surrounded it in an oak mantle and this, too, had been given ‘the treatment’ sometime in the 1990’s. Now a dark, icky mahogany brown, the beautiful grain of the wood was lost and the surface dull. As you know, I am wary of removing any finish that might be original but, spurred on by the stripping of the window seat, I set out to do a similar job on the mantle.

 

The copper bell push had to be removed for cleaning. A lovely thing, it had been lacquered sometime in the last twenty years and needed the old coating removed before polishing,, finding a replacement button, and being put back. Behind the bell the original surface glowed a medium oak, a perfect witness to our hunch that almost the entire house had been subject to a mahogany stain on the extensive areas of woodwork.

 

Anyway, as before I used a chemical paint stripper (Paint Panther) that softened the varnish enough to be removed without damaging the wood. It took a few coats, scraping (carefully), wire wool, and wire brushes to take off a lot of mucky gunge. I then rubbed the exposed wood with white spirit, used a fine tool to clean the really-hard-to-get niggly bits, and brushed on liquid beeswax and natural turpentine (Liberon) to nourish the surface. Left to dry for upwards of twenty-four hours, this was then buffed to a subtle sheen.

 

Removing the inappropriate wood stain revealed the probable reason for it: surfaces chewed by time and woodworm. I can understand people wanting to unify the look of the wood; some would say that the use of Douglas fir and oak (and walnut, in some places) was a bit eccentric of Edward Toronto Sturdy, but then that is part of the charm of his house – it’s quirky.

 

The next project to tackle will be the tiled fireplace. At some point, the 9×9 inch red quarry tiles were painted a heavy, pillar box red. I have no idea whether I can rid them of the noxious coating, but I’m willing to give it a go.

 

 

Restoration Game: Joys & Tribulations of Renovating

I’ve been taking time out from writing my latest historical mystery suspense to engage in a little house restoration. One of the joys and tribulations of living in an old house is what might turn up expectedly during renovation.

For the last week I’ve been engrossed in getting some work done in my study – not writing this time, but stripping (although the new book is coming on apace, I’m delighted to say).  I’ve been working on the Arts and Crafts window seat which crosses the entire width of the windows and was stained such a dark colour that it sucked all the light out of the room. 

It wasn’t an easy decision. I’ve seen too many over-restored houses to let that happen to this one. Too often woodwork that was supposed to have been painted from the start is stripped back to a naked surface and limed or left parched and bare. I agonised over what to do for the best and the question I asked myself was: is this an original finish to the Douglas fir and oak bench, or a later addition? A test strip painted a pale, neutral colour looked terrible, leaving me no other option than to take the plunge and remove layers of sludgy ‘mahogany’ varnish. 

The varnish turned out to be a modern polyurethane finish. Removing the varnish allowed not only the warmth of the wood to glow through, but also the strong grain – giving texture and depth. It also revealed that two oak panels had been replaced with…vinyl laminate flooring. Delightful. It worked, I suppose, when covered with gooy varnish, but stripped back looked exactly as it was – plastic. Carefully removing the laminate revealed the badly wormed oak panels. My helpful decorator supplied some oak sheet he had tucked away in his garage and that will be my next task – to cut two panels from it to replace the placky stuff. Then I’ll stain the fresh oak to match the 1900 wood, and use a beeswax and turpentine mix to unify the colours, feed the wood and give it some protection.

Even with this much done, the room feels lighter and more inviting and closer to the original finish desired by Edward Toronto Sturdy when he first commissioned the building. I’ll post some more photos when the job’s completed.