Understanding your writing, genre and identity is key to describing your latest book. In an interesting on-line discussion the other day, the question of self-identity came up. This was in relation to how we view ourselves in terms of being ‘human’ and our ‘gender’. This, in turn, had me thinking about something authors are frequently asked: Who do you write like? How does a writer categorise their book’s genre and identity? What makes them authentically you?
The question often stems from people wanting to get their heads around what you write. This gives them an idea of your genre and whether your books are ones they might read. Fair enough.
For publishers, the question is more pragmatic and commercial: who is the target readership and on what shelf of the bookshop is your book going to sit? After all, a publisher wants to sell your books, so knowing the answer to both of the above is one step on the ladder to publication.
The answer to the question of genre is all your potential readers need to know. The question of how it reads is what they will find out when they pick up a copy of your book. You cannot write like anybody else; your style is authentically you.
The question therefore is twofold: What is your genre? and to whom will your writing style appeal?
Asking a writer to identify the author whose books most closely resemble their own is more difficult than it first might seem. When originally asked the question I must have looked like a rabbit in the headlights. I honestly couldn’t say. It helped when my editor, quite unsolicited, described my style as being similar to P.D. James and, oddly enough, someone else said the same in an unrelated conversation. At least I could now come up with a name. But did it really represent my books?
The second question, that of genre, also proved to be tricky to pin down – important if your book is being entered for awards. Nobody likes picking up a mug of tea only to discover it’s coffee instead. Getting the genre – or genres – of your book right is just as important. Classifying a romantic-mystery-suspense with a paranormal-and-historical twist is a bit of a mouthful. My publisher entered Mortal Fire in the Adult Romance catagory of the Book of the Year Awards. The genre didn’t quite cover all the bases, but Mortal Fire won GOLD nonetheless, so must have ticked at least some of the boxes.
The current series should be easier – a straightforward historical novel. Yes, but historical romance? Historical suspense? Historical blood-and-guts? A bit of all the above is the answer. You see the problem.
It’s not straightforward at all, so perhaps the other way to look at this classification issue is to ask people who have read the books. The following excerpts have been taken from reader reviews on Amazon for Mortal Fire:
‘Thoroughly recommend if you enjoy a bit of history, a touch of romance, mystery and maybe some crime too.’
‘Romance and mystery, a perfect combination in this page turner of a novel.’
‘The author conveys the sense of mystery and tension brilliantly. She has researched the 17th century very well.’
‘I was entranced by Moral Fire by CF Dunn. It brings together all my favourite themes: romance, murder-mystery-suspence, history and an elusive “extra” that has not been fully disclosed in this first book in a series… time travel?’
‘This book is both a thriller and romance with the undertones of Du Maurier’s Rebecca.’
There we have it. From the point of view of readers (and they are the ones that count), The Secret of the Journal series is a romantic mystery-suspense with a historical twist and might be found on the same shelf as Daphne Du Maurier.
So, how do you categorise your book – simply and succinctly – when someone (reader/agent/publisher/film producer) comes up to you at a party and asks that question? Seperating the question into two distinct parts makes it easier to answer:
A. ‘Hi’ you say, quick as a flash and with a confident smile. ‘I write books of…
Q. Who do you write like?
A. I write like me, of course, you might secretly think, but seemlessly reply, ‘You will find me on the shelf next to…’ At which point the reader/agent/publisher declares an undying interest in everything you’ve written and you have a fan for life. No? Well, perhaps you’ve managed to tickle their curiosity and that’s the first step, but getting the pitch right? That’s entirely another road for a future post.