The Tarnished Crown

Proof Is In The Reading: proofreading the new novel

I’ve spent the last few weeks holed up and proofreading. This is the last stage of preparing a novel for publication. It went through structural and copy edits and then to a professional proofreader and to me. This is my last opportunity to spot errors and make minor amendments. There are always some no matter how thoroughly I’ve editied it before. Sure enough I spotted an inadvertent  name blip, winced at the number of times I used ‘winced’, and noted armorial colours that mysteriously changed. That’s what proofreading is all about and I am thankful for the absolute professionalism of the team handling the production of my book.

Proofs for Wheel of Fortune are back with the editor. It’s now time for a thorough purge of my study before resuming editing the second book, Degrees of Affinity. How does so much detritus build up when I’m not looking?

To be fair this mountain was largely the result of boxes being deposited in my room. Accumulated over thirty years, this ‘stuff’ had to be sifted and sorted, trashed and filed one box at a time.

I’ve completed that task. Now I have a lifetime of books to go through, organise and get onto the shelves. First off are the numerous books on a variety of historical topics associated with research for The Tarnished Crown trilogy. Next come those collected in childhood – well-thumbed and with annotations and observations scrawled in a childish hand. The history books from  university are another load. The comments have matured, become somewhat pithy at times, and reflect a more searching mind. The stacks that have accumlated since are well-read but pristine. Notes are now made on slips of paper and secured within the pages. Many have been gifts from my family, always on the hunt for presents for Christmas and birthday. It is a time for reflection as I come across old favourites, and a time of preperation before I continue with the second book.

On Weeding and Writing: Creative Gardening Writes Novels

Can creative gardening write novels? I think it can. It’s that post-Christmas period when the morning sun reveals the dust on the shelves and the first snowdrops and winter aconites wink under the hedges. I ache to get out into the garden and continue the jobs left undone at the close of autumn.

 

With Thegn’s help I’ve been concentrating on clearing ivy in the spring garden. Seedlings of ash and sycamore have over-wintered there as well, and their bare stems defy attempts to dislodge them. Where I win the battle, I push crocus bulbs and snowdrops into the loosened soil, and plant wild primroses and spotted pulmonaria (lungwort) under the shelter of the trees. They look sad at the moment but, given gentle rain and warm sun in equal measure, will soon rally, providing nectar for emerging bees.

Such repetitive work gives me plenty of time to think about writing. Often, gardening is when the best ideas filter into my consciousness, bud, and blossom. Over subsequent weeks as the garden develops, I weed out the blind bulbs of ideas that lead nowhere, the weak seedlings that undermine the plot. I feed and tend the stronger saplings whose branches will bear the most fruit and the best storylines. In my garden, I flesh out my characters and prune those that get ahead of themselves. Even the very act of tending the soil gives ideas for the future. While Emma D’Eresby in The Secret of the Journal series hates gardening (because her father loves it), Isobel Fenton in The Tarnished Crown series lives for it. For her, the garden is a place of refuge in a land of turmoil where she, and she alone, is mistress.

Perhaps that’s also one of the reasons I like to garden. Here, I have the time, the space, and the freedom to create. From a simple patch of bare ground I can make a world of my own, whether in my head or on my knees, in the certain knowledge that hard graft now, will bear fruit later.