Wars of the Roses

On Weeding and Writing: Creative Gardening Writes Novels

Can creative gardening write novels? I think it can. It’s that post-Christmas period when the morning sun reveals the dust on the shelves and the first snowdrops and winter aconites wink under the hedges. I ache to get out into the garden and continue the jobs left undone at the close of autumn.

 

With Thegn’s help I’ve been concentrating on clearing ivy in the spring garden. Seedlings of ash and sycamore have over-wintered there as well, and their bare stems defy attempts to dislodge them. Where I win the battle, I push crocus bulbs and snowdrops into the loosened soil, and plant wild primroses and spotted pulmonaria (lungwort) under the shelter of the trees. They look sad at the moment but, given gentle rain and warm sun in equal measure, will soon rally, providing nectar for emerging bees.

Such repetitive work gives me plenty of time to think about writing. Often, gardening is when the best ideas filter into my consciousness, bud, and blossom. Over subsequent weeks as the garden develops, I weed out the blind bulbs of ideas that lead nowhere, the weak seedlings that undermine the plot. I feed and tend the stronger saplings whose branches will bear the most fruit and the best storylines. In my garden, I flesh out my characters and prune those that get ahead of themselves. Even the very act of tending the soil gives ideas for the future. While Emma D’Eresby in The Secret of the Journal series hates gardening (because her father loves it), Isobel Fenton in The Tarnished Crown series lives for it. For her, the garden is a place of refuge in a land of turmoil where she, and she alone, is mistress.

Perhaps that’s also one of the reasons I like to garden. Here, I have the time, the space, and the freedom to create. From a simple patch of bare ground I can make a world of my own, whether in my head or on my knees, in the certain knowledge that hard graft now, will bear fruit later.

 

New Book Contract: love and treachery during the Wars of the Roses

I am delighted to announce that I’ve signed a three-book contract with Lion Fiction.  

The first book in my historical trilogy is due for release in 2020. Wheel of Fortune launches into the turmoil of England in the C15th. The country is turning a corner after the ravages of the Black Death; the Hundred Years War is finally over, but conflict and treachery have come to haunt the families that survived.

I’m back on home territory with a story that charts the fortunes of young Isobel Fenton as she negotiates the treacherous political landscape of the Wars of the Roses and the mid-C15th. This is a period of history I started studying way back at the age of nine when I picked up my brother’s book on the history of England and became hooked. It was one of those traditional histories that paints monarchs in terms of ‘good’ or ‘bad’ – simplistic even to my child’s eyes. I remember being outraged at the depiction of Richard III even though I knew nothing about him, and it led to a lifetime of research.

That was the beginning. Now, decades later, I still study the political fortunes of the C15th, but this time, as a novelist. I get the best of both worlds.